The show does not break a new floor, nor will it bulldoze the view of the shepherd of change in a new promising entertainment period. What Esposito and his team have accomplished is to leave their audience with wide open eyes for the sad state of modern fun. The film presents a version of the Treadmill of contemporary times, with Richard Rawson’s brutal ways being replaced by Josh Duhamel’s more emphatic attitude.
If a rostrum or camera is reflected and spread behind it, the point at which the message is received is The Show. Also, in this article, I remain a single question that is still permeating the mind: are we not entertained?